After much deliberation, I have decided to no longer regularly take on custom quilting.
This means I will be able to take and complete your edge to edge quilting in a matter of days with very little wait time.
I will on occasion, for special requests from existing clients, accept a custom job. (Those that have already been discussed and arranged will be completed.)
This decision was difficult to come to, however, I feel that it is what is best for me at this time. Please let me know if you have any questions or concerns.
After much deliberation, I have decided to no longer regularly take on custom quilting.
Let's talk about quilt backs!
The quilt back is sometimes an afterthought to the quilt design. Something chosen in the spur of the moment. Day in and day out, a longarm quilter becomes VERY familiar with the strengths and weaknesses of quilt backs as so many different quilts are handled one directly after the other. So I will be posting a series specifically addressing quilt backs, including everything from choosing and piecing the quilt back to preparation for quilting.
Let's begin with choosing a quilt back layout. Imagine your quilt back like a photo layout in a book or magazine, will you choose a full spread of a single image, a dual spread with two images side by side, a triptych of three panels, or maybe a collage of different sized photos fit together.
The ideal quilt back is an extra wide fabric, these are typically around 108" wide and can be purchased in yardage to ensure plenty of length and width. Why are they ideal? Due to their extra width, these do not require any piecing (Side note, my least favorite part of making my own quilts is piecing the backing... Imagine, I have just finished the quilt top, I'm ready to quilt! Oh wait, I still need to sew a few long seams to piece a backing together. Ugh...). This also means that your backing will be SEAM FREE, which is lovely for a long arm quilter! You see, seams add bulk, and we already have so many seams on the front of the quilt. Stacking seams on top of seams with a layer of batting in between is harder work for the machine, dulls the needle more quickly and even changes the tension slightly! But even more, when I am quilting, I can't see the backing seams. There is no way for me to insure that the backing seams are remaining straight once quilting has begun. However, I am not an uncaring person. I understand you have yards and yards of fabric in your stash, some of which will never see the light of day on the front of a quilt.
Therefore, many of us will piece together various bits of yardage from our stash. Most quilts can be covered by two widths of ~42 inch fabric aligned vertically on the back of the quilt. While this is the easiest solution, it creates a seam down the center of the quilt. The center of the quilt is shown to be a weak spot over time due to the way we commonly fold quilts or blankets. Since we want our quilts to stand the tests of time, we don't want to add a seam into an already weak location. Instead, sew the two widths of ~42 inch fabric together on both selveges creating a long tube, then cutting down the center of one panel and opening flat. This method centers one of the 42 inch widths with two approximately 20 inch panels running vertically along each side, avoiding the center crease weak spot.
Additionally, a vertical seam is unable to be monitored by a long arm quilter, as mentioned above, so it may end up as a wavy or skewed seam due to the machine moving back and forth across the fabric. When the quilting design allows, your long arm quilter might even turn the quilt 90 degrees so that this seam is parallel to the frame and possible to monitor along the front backing bar for straight alignment during the loading process. Seams that run horizontally or can be positioned parallel to the frame are more likely to be straight after quilting.
Of course, you can always get even more creative with your quilt back! Create a collage of fabrics, utilize the remaining cuts from the front of the quilt. Create a focal block, or add interesting piecing. Quilt backs can be as beautiful as the front of the quilt, adding another layer of beauty and enjoyment. But remember what I've said about seam bulk, and alignment issues, each of these is compounded the more pieces you add. Try to avoid elements that would need to be perfectly centered or aligned to a specific location of the quilt, as this becomes additional time and effort for the quilter and could result in a special charge.
The moral of this story is, when choosing to piece your quilt back consider whether you are using directional fabric or desire a directional quilting design that will impact the way the quilt is loaded on the frame. Also, imagine how the quilt will be folded or used over time and consider what areas of the quilt may incur frequent creasing due to folding and develop weak spots, avoid seams in that location when possible.
It's the holiday season! Can't you feel the snow as it melts on your face? Wait, I guess that's just sweat because it is still blazing summer here in Iowa! That's okay though, this is the perfect time to start planning your holiday gift giving!
This year as we prepare for the winter holidays and a busy Christmas season, Ad Astra Quilting will be pre-booking time slots leading up to Christmas. By pre-booking your time slot, you are ensuring that your project will be returned to you in time to add the finishing touches without the stress and worry. Pre-booking will require a $50 deposit in order to hold the time slot, and also to ensure we have all the supplies and materials ready when it is your quilt's time on the frame.
So you are a quilting phenomenon and your quilt is ready to go early, huh? Well let us know and we will put you on a list so you can be moved up if an earlier time slot opens up!
What's that? You're the opposite and always finish your quilt a little later than you anticipated? No problem, all we ask is that if you do not feel you will be ready in time please provide at least one week notice. We will then contact one of those who finished early and attempt to re-arrange the schedule so that you can still get your project finished.
I was first approached by Sherry in April of this year. She had completed a queen size hunter star quilt top as a gift for her daughter on her upcoming nuptials. The wedding and all of the exciting planning and activities leading up to the wedding were zooming up on Sherry, as they always do on the mother of the bride. So for the first time ever, Sherry was looking for someone else to quilt for her. Please take a moment to applaud this, after years and years of quilting this is the first time Sherry passed a quilt to someone else, and only because she was under an abnormal amount of pressure and deadline!!! I'm in awe. After the second time of pushing smaller quilts than this through a home sewing machine, I knew I needed a long arm machine or a quilter, and Sherry had been doing it herself for years!!!
Sherry sent me a photo of the quilt and we met to talk at our next guild meeting, Sherry brought the top at that time so I could see it in person. After listening to Sherry regarding her concerns, and her vision for the quilt, I made a few suggestions, but could see we weren't quite on the same page yet. I asked Sherry to do a little homework for me. I sent her home and requested she send me a few pictures of quilting that she liked, or images of other quilts that came close to what she envisioned. This little activity is akin to taking photos to the hairstylist, sometimes you just need a better idea of what is wanted before you can fit the right design to the person/quilt. Through this activity Sherry found a few things she really liked that she hadn't previously envisioned and we were able to create a plan, meeting one more time with me sketching on the photo she had originally sent to me and writing a few specific requests.
At this point you might think we had things figured out, so away I go right? Well, not quite. You see now the pressure of quilting a wedding gift was on me, and there was no way I was going to mess up the beautiful queen size quilt top Sherry had placed in my care! So I took some time planning a quilting path that could get me around the quilt with as few starts and stops as possible. I even pulled out a charity quilt to practice a few motif options that Sherry had suggested to determine which would be best. I practiced and played and tried my different paths on the charity quilt, not being too careful about getting it perfect, but still enjoying the process and learning. After finishing the charity quilt, I decided I was as ready as I ever would be and loaded Sherry's quilt, I really did feel more confident that I wasn't going to mess it up!
In the end, I stitched in the ditch around each star to help those stand out as a focal point, then quilted nested squares in the space between the stars. The setting triangles were quilted similarly with the addition of a wide spaced banner of a free motion leaf motif. We used an 80/20 batting so that the quilt would be easy to care for, with Superior So Fine #50 thread to match the antique white solid.
I couldn't be happier with the outcome of this quilt, and really believe it was worth the extra time spent. I hope for years of love in the new family being created and for Sherry's quilt to give them warmth and happiness as they start their marriage.
Thanks for visiting!
A few weeks ago, I shared about how I met Riane of Vessel Quilts and the quilting I did for her on her Welded quilt. Today, I'm going to tell you about the second quilt I worked on for Riane, Star Crossed, and the unexpected difficulties that arose.
Riane sewed Star Crossed as part of a sew along hosted by Fat Quarter Shop. She shares about her fabric choices (THE FISH!!!) and the construction process on her blog, so be sure to drop in over there and read more about that part of the quilt making process.
When Riane and I met to talk about the quilting and her plans for the quilt we went over a few of the more obvious design decisions, thread color, batting type, and design motif. One concept Riane was keen on emphasizing was the motion of the design in the fish fabric, so we discussed swirling or round motifs. Riane utilizes a lot of traditional piecing and quilting as inspiration for modern updated approaches to her quiltmaking, so we decided on a traditional quilting motif, Baptist Fans. We also chose to work with 100% Cotton batting by Pellon which I carry by the roll, cotton batting shrinks up to 10% when washed and creates a nice plump crinkled appearance. Finally, we selected a well matched white Superior So Fine #50 for the thread so that it would blend nicely across the fish fabric and show up against the teal of the stars and the blue backing fabric.
With all of the decisions made, I went online to purchase a digital quilting pattern, the fastest way to create an all over edge-to-edge design for those with computerized quilting capabilities. I selected one from a site I have often used, downloaded it, and set to manipulating the size and repeat within my digital software. The version of Baptist Fan I purchased illustrated a closed or open nesting option, I prefer the closed nesting option because I thought it looked more traditional than the open nesting (nesting refers to the distance between each row of the fans as they are quilted and how closely they are arranged).
After a few rows of quilting (by the completion of the third) I realized the closed nesting didn't quite align. In fact, I spent a lot of time trying to decide what was happening because the outermost fan would touch and align perfectly, the next layer of the fan would hit very close, the third layer would be a little further, and the inner most fan would overlap a full quarter of an inch. Then the next fan would begin aligning perfectly again and slowly misalign as the fan continued, then align perfectly again on the next fan, repeating across the quilt.
Due to the way digital quilting patterns operate, the horizontal spacing is fully dictated by the design itself. I did not need to align the position of the individual shells, and the vertical alignment is also computer guided at the completion of each row. The only conclusion I could come to after troubleshooting was that the design itself was flawed and would not produce the closed nesting as illustrated in the example images provided by the website without misaligning and overlapping the ends of the fan over the arch of the previous fan.
At this point I had already stitched at least three of the eight rows of fans and was faced with the option of ripping out two full rows of quilting and re-quilting using the open nesting option where small misalignments would be less noticeable. Or continuing as I had begun and ripping out only the small misaligned edges of the fans, hand-guiding small areas of quilting to lock the threads in place.
I chose the second option and completed the digital portion of the quilting, then rolled the quilt back and began working from above and below the quilt still on the frame to rip the troublesome stitches where the misalignment was visible. After ripping small inch wide sections across the width of the quilt, I hand guided the machine to stitch over these areas and lock the loose ends in place and complete the design where it had been removed. Hand guiding the machine was unfortunately not as easy as I wanted simply because I was working to match the perfect smooth quilting lines of the computer guided fans yet also lock the stitches.
By the time I finished working on this quilt, I was an emotional mess. I was very upset with the quilting and felt it didn't represent myself well, even though I had spent hours correcting an issue I hadn't caused. I felt certain that no matter how sweet a person Riane is she would be unhappy with the results and would see every error and issue just as I could. In fact, the errors and issues were the only things I could see at this point. I contacted one of my quilting mentors and friends and spoke to her about her experience with customer disappointment and how she handled it, I looked online for reviews and posts about people receiving or dealing with similar quilting issues. I wanted desperately to start all over having learned from my mistake, trusting without testing.
I called Riane and met with her, happy she was local and I could see her face to face. I showed her the issues and explained what had happened, expressing my regret and sincere apology. She understood and of course was not nearly as upset about it as I was, we discussed some options for me to make it up to her and agreed that this wouldn't be the last time we worked together. I'm certain my relief showed all over my face. I have since been in the process of communicating with the digital pattern designer, determined not to let this same issue affect someone else's quilting.
One thing that really struck me during this process was how seldom I read about quilting issues and errors from the quilter's perspective. Sure, these stories pop up occasionally on forums for long arm quilters seeking advice and suggestions, but rarely is the whole story or at least both sides shared. Instead, I read a number of posts and blogs from disgruntled customers having worked with long arm quilters and received disappointing results, sharing their mistrust and annoyance, and their perspective. Often these posts didn't share the perspective of the quilter, or what the quilter might have done to try to recover the situation, if he/she was ever even made aware.
My quilting, is my bread and butter, yes; it is how I make my money and pay my bills so I certainly want to protect myself as a business person. But it is also a representation of myself, my art, my craft, and my character. I have never met a harsher judge of my work than myself, which is something I must constantly battle as I work for others; beating back the voice that tells me I haven't done enough or won't meet their standards. I can't even tell you how disappointed in myself I would be to know one of my customers was unhappy and unwilling to let me make it up to them or work with them to correct the situation. So in my effort for transparency I share this story with you and ask that you remember to leave space for human error. When you work with a small business of any sort, especially a one person operation like my own, express honestly and kindly your feelings and expectations, and remember to give that person the chance to meet your expectations if they fall short.
Until next time,
UPDATE: Riane took some lovely photos of this quilt which I wanted to share, you can view them in the Gallery.
Throughout the quilting process small issues will arise even for the most experienced quilters and seamstresses. Occasionally, these issues travel into my hands as I work with various quilters, suppliers, and technicians at all experience levels. As I come across such situations, I hope to share about them here on this blog as both an educational post, as well as, a sort of business transparency.
The first post in this series will be on the topic of frayed edges and stray threads. I mention trimming threads and frays on the Quilt Preparation tab of this website, and will honestly say that it is certainly not my favorite activity when I have finished piecing a quilt and feel ready to quilt it. However, it is an important part of the process, particularly if you are concerned with a clean finish.
You see, often as we design our next beautiful quilt we, sometimes unwittingly, use a technique of color theory called contrast. Contrast involves placing two or more dissimilar or opposite colors side by side to accentuate the area, in short to make a design "pop". Particularly common in quilting is piecing colored or dark fabrics directly next to a white or cream, thus causing a stark difference between the pieces and making a highly visible design. However, this combination comes at a risk.
As you continue to work with the fabric pressing, trimming, pulling and pushing it through your sewing machine, the fabrics will continue to be loosened from the weave structure and individual yarns will begin to fray from the edges. These frayed yarns hang from the raw edges and seam lines on the backside of your pieced quilt top, at first they are not very noticeable as we often work on colored cutting mats or pressing tables during the piecing stage. However, as your pieced quilt top is pressed closely to the quilt batting in preparation of quilting, the dark colored frayed yarns become visible through the light fabrics creating a shadow or stained appearance.
The best plan of attack against these imperfections is to take the time to carefully look over the backside of the pieced work and trim any frayed yarns or threads hanging from seams. You have already committed so much time to preparing the quilt, a few more minutes spent carefully inspecting your work can save a great deal of headache down the line. While you perform this fray check look for other small imperfections such as popped seams or small gaps, as these can occur if you accidentally created a scant 1/4" seam which then further frayed. Correcting these issues here will prevent further damage or more difficult fixes down the line, which can all add up if you are sending your quilt to a professional quilter. Also take note of any additional issues with the quilt or fabric, perhaps small stains have appeared during the piecing process as you drank coffee or wine while sewing. If you aren't sure how to fix them, mentioning them up front to the quilter might result in suggestions for stain removal or corrections that you can manage and add to your toolbox of quilting knowledge and skills.
Back to frays and strays, when this issue travels to me as the quilter, I have a small tool I can use to fish these yarns and threads free pulling them through the front of the quilt on a tiny hook. However, this can be a time consuming process if there are many to correct and can result in additional charges being tacked onto the estimated quilting cost, I will contact the client and ask their opinion whether these issues will bother them and whether they are worth the additional time and cost for me to correct. If there are few (fewer than six) of these, I typically will pull them without additional charge as a certain amount of fraying or strays cannot be avoided.
Now, as I said at the beginning, I wrote this post as an opportunity to educate the quilters I work with, as wouldn't we all like to improve our quilting skills and knowledge? Also, I never want to be thought of as taking advantage of the wonderful people I work with, their business is a blessing to me but it is also business and my time has value too, so in an effort of transparency I shared this process and the possible repercussions to the cost of quilting services. Please let me know if you have any questions regarding any portion of quilting preparation.
I have a few things to share with you, but I'm going to space them out a bit so each gets your full attention. Are you paying attention yet? The first is a really versatile modern quilt sewn by Riane of Vessel Quilts.
First, I have to tell you how excited I was when I met Riane. Oddly, I just happened across her on Instagram one afternoon a few months ago, and was immediately intrigued when I realized not only was she a board member for the Modern Quilt Guild but she also lives in Des Moines! How did I not know this talented quilter in my own city? So I started browsing her blog, and like many other things it became a constantly open tab on my phone so that I could return to it and read more. Then, at the next Des Moines Modern Quilt Guild meeting, I noticed a new face, she was young and doing hand-applique on the Collection Quilt by Carolyn Friedlander, which I can spot from a mile away since it is also one of my works in progress. As we did show-and-tell, it all came together. This was Riane! The same Riane whose blog was currently open on my phone! How exciting! That night with a few other girls from the group we went out for post-meeting drinks and I got to hear a little more about Riane, her life in Des Moines, and her work as a board member for the national Modern Quilt Guild.
*Sidebar: I cannot even begin to tell you how much my life has expanded and improved since I joined my local quilt guild and modern quilt guild! I have met so many people that I admire, learn from, and truly enjoy seeing and sharing with! If you haven't found your people, keep looking because joining a local social club related to your interest is such a blessing!*
Anyway! The next month Riane had to run off to Pasadena for QuiltCon (lucky girl!) so I didn't see her for a month or more. Then, out of the blue, she sent me a request via this website, she wanted to talk about having a few things quilted. Riane explained that this was the first time she was planning to have something professionally long arm quilted, she does exquisite sashiko style hand quilting on many of her self-designed projects. However, she had a few too many projects hanging around needing finished so she was calling in reinforcements and I was happy to help. We met and talked about her style and aesthetics, opened the quilts and talked about thread color and scale. She has really lovely taste but as a new quilting customer it was important for me to become familiar with her expectations and aesthetic while she learned a little more about the process and what to expect from me.
We decided on a neutral white thread to accent the design on the sea green fabric by April Rhodes. Riane suggested a quilting pattern she had seen online called Diagonal Plaid designed by Patricia Ritter of Urban Elementz. I was able to scale the edge to edge quilting design to align nicely with the scale of the the piecing design.
I excitedly got to work on the first of her two quilts, Welded, a quilt stitched as part of Art Gallery Fabrics and Fat Quarter Shop's Stitched blog tour and a free pattern and tutorial . Riane shares about piecing and designing her fabric choices for this quilt on her blog. Since the quilting pattern is offset overlapping diamonds nothing had to be too perfect but this was pretty darn close! I was thrilled with the results of the quilting.
Due to the on-point piecing setting of the quilt, these diagonal diamonds echoed perfectly across the quilt.
Riane is stitching the binding on, but she promised me some full finished photos on her blog soon! So be sure to check in over there to see updates of this quilt as it is finished. Also, unless she has changed her mind, she plans to sell this quilt, so if you haven't gotten enough in photo you can own the real thing! Next week, I will share about the second quilt I finished for Riane! Thanks for visiting!
UPDATE: Riane took some lovely photos of this quilt, they have been added to the gallery, please check them out!
Do you know what I love? I love that people jump in to quilting with their whole heart! Sarah did just that when she decided to create a quilt for her school's charity auction, did I mention this was her first quilt ever!
Sarah works at St.Cecilia School in Ames, Iowa. The school is solely supported by donations and the upcoming Gala event is their greatest fundraiser. Sarah explained to me that each class creates an art project to be auctioned at the gala. Since this year's Gala has a world theme the class projects were designed to reflect that. Sarah chose an Indonesian/Indian inspired textile design and the students each created a Nepalese style mandala on the computer to be translated using a glue resist Batik onto a Moda quilt block. Sarah's class used a glue resist and Dyn-a-flow paint/dye to create beautiful individual quilt blocks.
Originally, she had planned to quilt and bind the quilt herself, but as time dwindled and the quilt grew larger she realized she needed to call in a little help. Thanks to a few connections in the modern quilting community she was directed to me and I was able to fit her in over spring break. Since the quilt is for an auction, Sarah asked that we work at a reasonable price range with an edge to edge quilting design. She let me choose a quilting design suggesting only that swirls would be nice to echo the movement of the children's mandalas. So I selected a design and got to work!
A final step in the quilting process is the binding. I offer various binding options to help our customers along, binding preparation, partial binding and full binding. Sarah chose to save herself a little time and sanity by having me prepare and fully bind the quilt for her. She sent some remaining white Moda strips from the quilt trellis to be used for binding.
Before you go, I have to show you the back of this quilt. I love how Sarah chose to finish it with ombres created from the same fabric dyes. It is seriously beautiful.
If you would like more information about the Charity Gala and auction which will be held on April 16th, please visit http://www.stcamesgala.org/en/the_gala/
Lisa is a local here in Des Moines and when she was looking for a quilter, she looked locally first by contacting our local modern quilt guild for suggestions. I love working locally because I get to meet my client and talk with them face to face and even learn a little more about their life and how the quilt will fit in! Sometimes I even get to see the quilt after it's completely finished!
This quilt story and quilt had me in love from the get-go! Lisa first saw her quilt inspiration at a quilt show years ago. A beautiful antique quilt in amazing condition and rightly so worth a small mint! She took photos, as the real thing was sadly beyond her budget.
If I remember correctly, it was a year or two later when her Aunt asked her what kind of quilt she would like as a wedding gift (aren't quilty relatives the best?). Lisa knew immediately and printed out the pictures for her Aunt. Luckily, Lisa's Aunt already owned a lot of reproduction fabrics and she began working on the quilt.
At one point after the quilt top was finished, Lisa had the opportunity to have it long-armed for free by a family friend. However, the quilter wanted to try a new pattern on the quilt with something along the lines of feathers. Lisa held strong and resisted the urge for free quilting until she would be able to afford getting the quilting style she wanted, a replica of the original.
Since the border area of the quilt wasn't the exact replica we took a little liberty and quilted piano key stitch in the ditch through this area, checker boarding at the corners. The main body of the quilt received the diagonal cross through the neutral blocks, just like the original. Due to the nature of this design, the quilting was entirely hand guided and therefor qualified as semi-custom quilting.
The finished quilt was too large to photograph, but you get the idea right? It's gorgeous! Lisa had me whip up some matching binding and her mother will finish out the quilt. If my memory serves, it is now approximately seven years since Lisa first fell in love with the reproduction quilt. A true labor of love from so many people, this quilt story is heartwarming.
Occasionally, I will try to share a quilt story with you. Most of these will be customer quilts which I have quilted and have the permission to share about, other times they will be my own quilts, or even charity quilts. The first, is one I completed just before Christmas for my friend Eva Marie.
Eva Marie had a bee in her bonnet last Christmas about finishing mountains of projects and gifts, and then using up her Christmas fabric scraps! This quilt was made entirely from scraps, and then she even had enough left over for another entire Post-Christmas quilt!
It was a bit of a last minute idea to make this quilt, but I was able to get it on and off the frame in about three days. Her daughter, Cate, was the excited recipient and Eva Marie was able to get it bound for her just in time for the week of Christmas! Something about quilting these beautiful snowflakes and helping to make a last-minute Christmas miracle really put me in the holiday spirit, I almost made a Christmas quilt myself! Maybe this year?
Details: This quilt was quilted with the edge-to-edge quilting design "Sparkling Snowflakes" designed by Randy Brunette using Superior So Fine #50 thread.
Well, did you make it? Did you get your gifts finished in time for the holidays? Did you finish every WIP you had in your pile? Check off all the 2015 to-do's? Complete all of your sewing and quilting resolutions from last New Year's Eve?
Yeah, me neither! But what's the fun in giving yourself only what you can accomplish? Where is the challenge in that? And where is the spontaneity of shifting gears and following your creative flow to a new project, even though the other waits unfinished? I promise, it's not going anywhere! You can come back to it. Or you can choose to pass it on or even frog it (to steal a term from knitting). No one ever needs to know, and you can give yourself a break because once you jump into enough new projects you will forget that one ever existed. It is a-okay, I promise.
What's that? You actually plan to finish those WIPs in the new year. Well good on you! (Remember though you can always change your mind.) I have some WIPs I plan to finish also, and a great list of things I plan to start! So many plans...
But you know me, I'm here for you, I'm your person. Your quilty person. I want to help you finish those WIPs so that you can move on to bold and brave new things this year! I want to lighten your load so you can afford to dare greatly (I love Brene Brown).
So send your quilt my way, I will happily help you finish your WIPS. If you need more encouragement to get started in 2016, I am offering a 10% discount on any services provided during the month of January using the discount code "WIPit".
So WIP it, WIP it Good!
So the holiday hustle has kicked in! I have spent nearly every waking minute over the past week sewing, knitting, or quilting. Sadly I don't have much to share at this point in time because I am working on gifts for some of the folks who read this blog! So in an effort to be sneaky and secretive I'm keeping things under wraps for now.
I can tell you about some fun had on Instagram last weekend though. The community of makers on Instagram is really amazing, and oh so generous! There has been a fun trend of granting wishes for total strangers, hashtags such as #getyouryarnwishesgranted and #getyourquiltywishesgranted have been running rampant and everyone is so happy to give! It has been such fun and really wonderful to see people showing such kindness. My first quilty wish is a wish within a wish really, I requested finished quilt tops either those that have been set aside and the quilter has no intention to ever pick up and finish or those prepared for charity donations. For me these quilt tops will give me things to work on in between customer quilts when I don't have any of my own to load up. They will also provide a canvas to practice new ideas and motifs in preparation for customer quilts. In the end though, they will be donated to different charities and hopefully fill someone else's quilty wish.
I received a number of responses, so I look forward to being busy over the next few weeks, I am always happy to quilt for charity so please keep me in mind. I am so excited to get started spreading the quilty love and am expecting the first arrival tomorrow. As I work on these charity quilts I will be sure to share them with you! I hope you all are looking for ways to spread kindness and love this holiday season.
Follow me on IG at "erinmyone" (personal) and "ad_astra_quilting" (business).
Hello and Happy Small Business Saturday to you!
Over the years, my family has begun to practice a more affordable Christmas celebration. In a household with no tiny humans, we are happy to just get together sharing food and laughter. We still do gifts, but they have morphed into smaller tokens of our love and friendship and more often than not they are handmade. Even my brothers, who have never been too interested in crafts have gotten in on the action by learning new skills like roasting coffee beans for everyone or by purchasing handmade items from others. It's really a treat to see what everyone comes up with.
This holiday season I hope you will join in the fun by shopping from small businesses, local vendors, and handmade artisans or crafters. Wherever you are there is a special gift that you can share with your loved ones and the purchase of that gift will mean so much to the person or small business you purchased from. Don't get me wrong, I did a little Black Friday shopping myself -- I mean 50% off on quilt batting, hello! But I'm proud to say, this year I only purchased goods which require a little more effort from me like yarn, fabric, and batting.
Today, I will venture out to show a little love to a few of my favorite LQS (Local Quilt Stores) to pick up a few small things to finish off projects. But then, my shopping will be done and my fingers will have to get to work making, which is the part that I really enjoy! Handmade gifts are a treat because not only are you creating something one of a kind and special, but you also get to enjoy the fun of making it! It's entertainment for you and a gift for someone else, your hard earned money is working double duty!
As a brand new small business, I would like to offer my services in helping you make all of your handmade holiday plans come true! I am getting in on the action and introducing a holiday discount on this fine Small Business Saturday.
Here are the details!
From now until the new year (January 1, 2016) I am offering a 15% discount off of all services totaling over $50 USD. Whether I am quilting, basting, or binding for you all services completed between now and January 1 will receive a 15% discount off the total before taxes. There is no code needed as I will be applying the discount on everything from now until the end of the year. So let me help you make your holidays extra special and we will save more than your time, we will also save some of your money.
I just wanted to write a quick thank you to all of you who drop in to read this blog, send your quilts to me, or have helped me along the way.
Starting this business has been a dream come true and a few years in the making. I cannot begin to express my gratitude for those who have helped and supported me along the way. We truly share an amazing community of people in the quilting and sewing world. I have received so much advice from other quilters and business women along the way.
The Des Moines Modern Quilt Guild gave me such a warm reception as I announced my business, it has truly been a blessing to meet so many wonderful and supportive people.
My friends and family near and far have been the greatest support for me as I try to find my way, even the little "likes" "hearts" and thumbs up are such inspiration to keep going. It means the world to me each time a friend or family member shares my posts and helps me connect with new friends and businesses. My sister has dedicated her time and expertise in helping me build the foundation of my business and website. My mother spent hours researching and trudging through Quilt Week with me trying every longarm and asking a million questions. She has helped answer every business question and financial concern along the way too. She has done so much for me in starting this business. My husband keeps me strong in his confidence that I will succeed and everything will be okay.
I really cannot express how thankful I am to be on this journey and creating these memories with each of you. I am so excited to share in your quilt making joy over the next year and into the future.
Today, I'm sharing another beautiful quilt. This time it is the Tone it Down quilt designed by Lissa Alexander for American Patchwork and Quilting Magazine's 2014 Quilt Along. It is another one of my personal quilts, so I can tell you a little about what I was planning as I found fabrics, pieced the blocks, and finally chose a quilting pattern.
I wrote about this project a bit on my last blog before starting my business. One thing I shared was how beautiful I thought the quilt pattern was and how I loved the super scrappy version of the quilt which used so many different fabrics. I chose to mimic the original quilt as closely as I could without losing my mind. I sought a variety of low volume fabrics and even purchased new red, pink, blue, and green fabrics to help round out my stash to better match the palette of the original quilt. Something about this quilt felt like it would become an heirloom quilt in my family, and I wanted it to be as lovely as possible for my future children and grand-children.
Each block contains over 100 pieces and the quilt is made up of twenty blocks plus sashing and nine patch cornerstones. It was the most intricate piecing I had ever taken on, and having mostly made improv. and sampler quilts I was nervous that I would grow bored piecing the same blocks over and over. But in the end, it was the small changes in the low-volume fabrics, the careful arrangement to avoid having the same fabrics side by side that made it interesting. Not to mention how beautifully different each block looked due to the focal colors.
As the quilt came together, I began thinking about my quilting pattern early on. I searched to see how others had chosen to quilt theirs, and found Camille Roskelley of Thimble Blossoms finished quilt. Camille had used an edge to edge Orange Peel pattern (quilted by Abby). The simplicity of the quilting is really lovely and to me, that simplicity keeps this stitch pattern on the edge between traditional and modern quilting -- making it perfect for this quilt. I chose the orange peel pattern and quilted it with Superior So Fine #50 using a poly cotton blended batting by Pellon to achieve blending stitches and a soft lofted appearance.
This quilt is honestly too lovely. I joke that because I don't have any children, I can say with absolutely no guilt that this is the most beautiful thing I have ever made. It is my pride and joy. It will be an heirloom quilt for future generations.
I was recently asked to suggest some good gift ideas for those among us who sew (sewers? sewists? seamstresses? eh.). So today, I want to share some of my favorite notions that won't break the bank and will be heartily appreciated by the recipients. I should preface this that these are not showstopper gifts, they are handy gifts! These are the kind of gifts that even though I already own most of these I would actually appreciate having a duplicate or more of them! I mean how often do you take your favorite thread snips to do some hand sewing in front of the tv and then return to the machine disappointed that they didn't return with you? It doesn't matter how many scissors, pins, threads, or clips I have -- I want more!
First off, Wonder Clips by Clover because they really are wonderful! I like to have at least 100 Wonder Clips hanging around because to clip on binding I need at least that to make it around a full size quilt. I also would like to recommend getting at least some in a second color, these can be used as reminder clips of upcoming changes in the sewing. For example, I own the original red Wonder Clips, but would throw a second color like pink or blue on to warn me that I'm approaching a corner or particularly rough area and need to pay attention. If you are gifting these that might mean you give one large bag of a main color and a small set of a second color, they usually sell in packages containing anywhere from 10 to 100 clips. These are sold everywhere, literally everywhere. You can order them online from Amazon, Joann Fabrics, Nancy's Notions, or numerous smaller vendors and you can even find them locally from Michael's, to WalMart for those who live in small towns!
Thread snips! I have two favorites in this group depending on what I am doing. The first are my go-to thread snips by Fiskars. I was surprised to see these have only an average rating online, because for me they are in my back pocket when I enter my sewing studio. These are some dandy chops! I use these Fiskars when I am quickly sewing and snipping at the machine and also when I am pulling and clipping threads on the Longarm. They have a spring action inherent in the design and the plastic that pops them open so you are only doing the quick squeeze to clip the thread, it shortens the average scissor motion by half!
The second set by Acme are 4" curved embroidery scissors. This particular set has a curved blade allowing you to get up close and personal with the threads you are trimming. These are my favorite when I am doing any kind of hand stitching. They stay remarkable sharp even after many years of use and they can really do the trick when you want to trim as close as possible.
Again, both sets are pretty widely available online and the Fiskars will pop up in a lot of big box stores also for those who like to shop at brick and mortar locations close to home. These thread snips aren't pretty but they are dynamite!
The seam ripper is kind of like the odd uncle you wish you didn't have to invite, but know how essential they are to the party. Dritz Seam Fix is my favorite. The Dritz Seam Fix seam ripper comes in two sizes each has the standard pokey end you've come to expect on a seam ripper, but in addition there is a soft rubbery end on the cap. The soft rubber end is really the bit that makes this seam ripper special because it quickly grips and removes all of the leftover threads from the seam after you have ripped it apart. Finally, a clean up to all that damage! Seam Fix seam rippers had previously been a little harder to come by, they definitely pop up on the front counter of many local quilt shops (I bought mine at Stitch a local Des Moines shop) but now that they are part of the Dritz brand you can expect to find these online at most big box sewing stores, and many smaller online sewing stores such as Connecting Threads.
Just like thread snips, I have two favorite types of pins. The first are extra-fine glass head pins which are my go to for sewing anything on my domestic machine or for draping on a dress form. The most important bit here is the glass head, this means they won't melt if you iron over them by accident or intentionally. Second, they are extra-fine so the hole left in the fabric is much smaller which is great if you are working with finer materials. Now, I am extra picky about my pins and I also require that my glass head pins are no longer than 1 3/8", frankly my favorites are only 1" in length. The longer the pin the more it will bend, also the more wasted pin hanging out to poke you. Short pins are strong no matter how thick they are, so you have fewer bent pins finding their way into your pin cushions.
The second type of pin I use and love are flower head pins, particularly those by clover. The flower head pin is the exact opposite of the glass head pin. These are plastic so they can melt, not a plus, but they can also be stitched through without breaking a needle, definite plus. They are typically quite long also making them extra flexible often able to bend and spring back to straight when released. I use flower head pins when I am pinning a quilt onto my longarm frame. The extra length allows me to cover more space with fewer pins. The flexibility allows them to wind onto the round beams of the frame but then spring back to straight when I remove them. The flat flower head allows me to push them flat against the beam removing any added bulk, and the plastic head means that I can accidentally sew over them when I am quilting to the edge without breaking my needle and slowing things down, the stitches and the pin survive another day! Both type of pins can be found almost anywhere, but if you are picky about length and brand like I am, I suggest searching online and carefully reading the details before purchasing.
Need more suggestions? Throw in some really nice thread in any color you choose, Aurifil and Guterman are two of my favorite brands and they are BE-A-UTIFUL to work with. Find a clear quilting ruler (often used with a rotary cutter), they are like Pokemon, I've got to have them all. I'm currently eyeing the Bloc Loc, Sidekick, and Quick Curver Ruler (hint hint), as well as a 12.5 x 12.5" square. But my latest favorite are a 3.5" x 21" and 8.5" x 21" because 21" is long enough to reach across a half width of fabric (so a yard folded in half, or a fat quarter!).
Finally, the last and possibly greatest stocking stuffer you can give a quilter is a gift certificate to a really nice fabric store. First check out your LQS (local quilt shop!), those owners so appreciate your business! But for those of us who live in rural areas or big cities, getting high quality fabric quickly and easily can be a real test. Thankfully social media gives us so many opportunities to find other images of fabric that we can finally have an idea about scale and color before purchasing when we shop online. Most quilters have brands they love and trust as far as touch and quality go, and designers that they covet, so let them shop for themselves. They will die over the idea of adding to their stash without taking from their wallet. Some of my tried and true favorite online stores are Hawthorne Threads, Pink Castle Fabrics, Connecting Threads, and Fat Quarter Shop.
Quilters and stitchers, what would you add to this list?
A last note about this post, I did not receive any compensation for my recommendations here today. These are my true and honest opinions and no one is paying me to tell you. However, if you would like to me to use or review your product, I would love to do so please contact me!
Isn't this quilt special? I mean something about it is really kind of ... special.
This quilt was a sampler quilt constructed as part of the Modern Blocks Quilt A Long hosted by the blog And Sew We Craft. Each month one of the writers introduced a new block and shared a tutorial for construction on their personal blogs, then a linky party allowed all of the participants to share their work.
The twelve blocks included in the quilt a long were chosen from the book Modern Blocks and then another eight blocks also from the book were added to fill it out a bit and make it an entirely unique quilt. (You can read about the individual blocks construction here.)The patterned fabric is all from Juliana Horner's, eldest daughter of the beloved fabric designer Anna Maria Horner, first fabric line carried at JoAnn Fabrics.
Now on to the quilting. With sampler quilts there are kind of two schools of thought on how to approach the quilting. The first method is an edge to edge pattern, the theory is that this will help balance the variety in the blocks and help it meld together into a "whole". I certainly considered this option because before I quilted it, I wasn't sure I loved the "whole". Design speaking the viewer had no where to rest her eyes, between the intensity of the color and the variety in the blocks it seemed quite busy. However, I decided this quilt was a great opportunity to dive in with all my quilting tools. I chose the second method and treated a sampler quilt as a sampler quilt. Each block's quilting was individually tailored to the block. Some received bold computer driven block quilting designs, other received free-hand quilting, and then a few received a combination of both.
For this quilt, I used Superior So Fine #50 in a blending color to the background fabric. The batting was a needle punched cotton batting purchased around the time I started the quilt two years ago. The backing and binding fabrics, not shown in the photos is also by Juliana Horner.
The final result was really something special. This quilt has become our sofa quilt and I spend time admiring the quilting every time I sit under it.
Hello! We are very excited to launch our long-arm quilting services! Thank you for your patience while we finish building our website.
In the meantime, let us help you meet your holiday deadlines and create lasting gifts and memories! Contact us to discover more about our services, and to get started.